
Thursday, October 30, 2008
6 Degrees of Bjork
It is Halloween after all so I thought it timely to show the work of Gabriela Fridriksdottir (Reykjavik). I met her when she showed as part of the Auckland Triennal and she was very "rock star" in her bespoke sunglasses (given to the artist by her cousin Bjork), tattoos and piercings. All the Bjork associations aside, her work is a unique blend of horror and folklore, but then haven't folk tales always been a little horrific anyway (think Little Red Riding Hood)? According to her gallery i8's website, "She seeks answers in what happens in between waking and sleeping, the objective and subjective, or in the tension between the mind and the material world". Dark dreams indeed. Tuesday, October 28, 2008
Gareth Pugh and Epstein lovers?
Imagine the love child? Although, considering Matthew Collings' recent article "The Shape of Things" (Wallpaper*, September, page 95), maybe this would be a slightly incestuous union.It's a delicious article and he conjures up comparisons between Dior and Kapoor, Sander and Serra, Hepworth and Chanel and Margiela and Picasso. This is a taster:
"Gareth Pugh's new collection, for instance, goes in for the un-normal. Think of artifice based on nature, of leaf forms, body armour, segmentation, breastplates - a carapace for the body - or a creature emerging from a chrysalis.
What is it that Boccioni does with his sculpture in London's Tate Modern, "Unique Forms of Continuity in Space", or Jacob Epstein does with "Rock Drill", at New York's MOMA (both made in 1913)? Man as machine, man moving through space - as if when an artist conceptualises human movement, he comes up with a form that looks a bit machine-like.
The pleasure of Gareth Pugh's outfits is different in that he's ironic where modernists in the 20th century were sincere; they were influenced by the threat to nature of new industrial forms, but Pugh seems more influenced by the movies, by the sub or superhumans in "Edward Scissorhands" or "Alien". Those films draw attention to the body's dynamism and power in a twisted way, and so does he, but in a more exquisite, crafted way".
It's a must read.
(Pictured: Jacob Epstein "Rock Drill" 1913 and Gareth Pugh - Autumn/Winter 2008)
Monday, October 27, 2008
Cramped
No, actually, it was Space Furniture for an intimate soiree on Monday night with the sometime designers for Edra, the Campana Brothers, who, rock star like, are on tour in Australia to showcase new and iconic pieces. Sunday, October 26, 2008
The Unknown Patterns of Existence


An empty space is the silence that exists between 2 points somewhere in the cosmos. Has your subconscious emerged yet? If not, you obviously don't get the work of Eugene Carchesio on now at Qld Art Gallery: "Someone's Universe: the art of Eugene Carchesio". Ultra Art
Wednesday, October 22, 2008
Ricky Swallows?
First the Venice Biennale, now the QUT Student Guild and none of the art world cogniscenti are safe. The Histrionics (hailing from Melbourne) do their thing in Pollock-style suiting and with an acid tongue. Rirkrit Tiravanija, Ricky Swallow, Julian Schnabel and Richard Serra are all lampooned by this outfit. The crowd was a mix of art world types (Andrew Wilson, Amelia Gundelach and Robert Leonard) and pashing, pool playing students. Danius Kesminas works his overhead projector to the max, providing lyrics for all to witness. There was partial nudity, motorcycle cop sunglasses, cowboy boots, faux guitar smashing and the crowd was intermittently harassed by Kesminas.
All the art scathe and faux rock star antics aside, The Histrionics sure know how to rock out.
Tuesday, October 21, 2008
A Dirty Minded Satirical Psychotic Comedy
A sex addict and colonial theme park worker, Victor Mancini, has devised a complicated scam to pay for his mom's hospital bills while she suffers from an Alzheimer's disease that hides the truth about his childhood. He pretends to choke on food in a restaurant and the person who "saves" him will feel responsible for Victor for the rest of their lives. There is more, but to tell would ruin the film.Written by Chuck Palahnink [Fight Club], it is sure to have the same level of social commentary and bleakness.
I’m not sure about you, but any film with key words such as: chapel, pantyhose, colonialism, loneliness, sex standing up and absurdism and starring Sam Rockwell is a must see. Starts 30 October 2008.
History v Birth
An interesting combination of shows is currently on at the Institute of Modern Art, Brunswick Street, Fortitude Valley. The gallery is split in 2 and is showing a 20 year retrospective of one of Queensland's most interesting artists, Diena Georgetti.Hussein Homage
Subject: Hussein ChalayanVenue: London’s Design Museum
Dates: 21 January – 17 May 2009
This “designer” in the truest sense of the word is being lauded in what should be a must do destination for anyone serious about "fashion meets design". In his 15 year career, Chalayan has collaborated across disciplines with musicians, anthropologists, industrial designers, DNA experts, jewellers and textile designers.
He once buried several of his designs in his back garden and then later dug them up to see what effect the earth and minerals had had on them. We can only be in awe of his authenticity of practice.
Checking flights now.
Monday, October 20, 2008
Gleeson v Ksubi
People in Glass Houses



Lina Bo Bardi would have to be on any staunch modernist's list.
Bo Bardi was born in Rome, Italy, on 5 December, 1914. She graduated from the Architecture College of Rome University and, after having begun her professional life, she moved to Milan where she started to work in the office of Giò Ponti.
Bo Bardi’s most recognisable construction, the "Glass House" was concluded in 1951. Built on a 7000 m2 piece of land, it was the first residence in the Morumbi neighborhood. It was gradually surrounded by species of the Atlantic Forest and its garden is, nowadays, a preserved sample of the old Brazilian Forest with rare plants.
Poignantly, she died in her own "glass house".
The Velvet Hour
Synecdoche, New York
A movie to yearn for. Written and directed by Charlie Kaufman and produced by Spike Jonze, the basic premise is as follows: Caden, the main character, is a theatre director. After the inception of his new play, he discovers that his various autonomic functions are shutting down one at a time. The movie goes into themes such as the nature of family, of home, and of male-female relationships, all while blurring reality and representation in a nature.




















